Governor's Mansion Fire Cited As Warning

Today at City Hall a young child addressed the City Council on a consolidation proposal by first saying that what happened to the Governor's Mansion needs to be noticed. She then spoke about graffitti as art, referring to the famous "frog" icon on the drag and mentioning that this icon has shown up in other cities. She gave a most unchild-like speech about graffitti as art. She closed with an appeal to the Council to support article 59.

(An aside: here is a very interesting link to an article about the City Council voting last year to spend $50,000 on "graffiti education", dailytexanonline.com )

She was followed by an adult who spoke about meeting with the NEA in Colorado in preparation to bring this new division program to Austin.

Forgive this reporter for not noting all the names down for this article. This reporter was sitting in near-shock. This reporter is a survivor of the graffitti-driven and violent gang that set up a similar commission in Pittsfield, Massachusetts in the late 1980's that drove all independent artists out of that city while the political group that remained shoved death-oriented and extreme left-wing violent art projects into the high schools and into the public arena. Several people died suspiciously while fighting that group. The corruption in Massachusetts has always been notorious and need not be discussed here, except when it casts its shadow as far as Texas.

The proposed creation of this new Arts Division involves the merging of six city committees/commissions and looks like simply a move towards efficiency, but it covers a more sinister agenda. Someone coached that young child to open her remarks with reference to the burning of the Governor's Mansion and reference to the "need" to see graffitti as art, something no child of her apparent 9-12 years (at most) would have done on her own. Someone brought her around to see graffitti matching Austin marks in several cities, according to her own remarks as she described her surprise and she was told that the appearance of these marks in places like New York means Austin is very important.

The child who spoke in Austin is African-American, but the people responsible for exploiting children in New York and Massachusetts in this left-wing "art" tactic are mostly white racists. They are skilled at choosing unsuspecting or vulnerable people to deflect responsibility for their well-orchestrated violence and propaganda.

The Austin Egalitarian believes we have been given a warning, and that a very surreptitious and home-grown terrorist group is taking credit for the arson at the Governor's Mansion as their opening salvo.

Notice the new graffiti around town, the hanging bat? Look for more art-edgy projects involving school children and teachers who will be claiming this is art.

What it really is, is an opportunity for some "teachers" and other adults to bring children into contact with street violence, teaching them to see police authjority as the "enemy" and moving them into the role of violent confrontation with the "evil" authorities, because the children do not have the experience to understand that the innocent appearance of a bat or a frog is not the point: the vandalism of property is the point.

These home-grown terrorists who are snatching the minds of children right in front of us in City Hall are teaching the children the "property is theft" extremism of anarchist socialism, that is the kind that results in violence. And in order to succeed, they need not only the protection of City Hall which will fear embarrassment if they are investigated, but they also need to drive all the independent professional artists out of town, in order to silence the voices most likely to be influential in the early stages of resisting this incredible coup in Texas.